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His attention to detail is next level and I love the whole sonic world he’s been able to build in collaboration with Drake. J: Noah “40” Shebib is a big one… he’s Drake’s primary engineer/producer and has executive-produced all his albums. And Norah Jones, she made me realise what was possible. Then I discovered the jazz greats, like Ella, Etta, Dinah, Billie. I loved the divas: Mariah Carey, Christina Aguilera, Whitney Houston. S: I have a very distinct early memory of hearing “I will always love you” on the radio, while driving with my parents in LA. Later in high school the Postal Service album changed my life and opened me to the world of electronic music but I never dreamed I’d land here. Dre, Timbaland, Missy Elliott, any Neptunes production) and underground hip-hop (Cunninlynguists, Atmosphere, E&A) as well as singer songwriter stuff (Ben Folds, Regina Spektor, The Weepies) and musical theatre (huge Sondheim-head).
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Then Tony Hawk’s Pro Skater 2 soundtrack introduced me to underground hip-hop – for most of high school I was into mainstream (Kanye, Eminem, Dr. J: The first CD I ever bought for myself was Nelly’s debut, Country Grammar – I was obsessed with that album. I was lucky that I also had very supportive parents. I sang “just around the river bend” from Pocahontas in my first grade talent show, and from then on I just knew. My poor brother had to hear me singing around the house every second of every day. I was so lucky to grow up in a house where music was always happening and such an essential part of daily life – that’s never changed for me. As a very little one I pretty immediately wanted in on the action, so when I was four-years-old I asked my parents if I could take violin lessons. J: My parents met in an opera class in New York and I grew up in a house with a piano where someone was always singing. We caught up with Lloyd and Gongol below… Since then, the duo have been making waves with their confident brand of electronic-pop, recently dropping their brand new single “like you do,” a song about seeing through the life-of-the-party exterior of someone you used to be close to, and realising there’s nothing worthwhile there. The mass inquisition into the band came after their addictive fusion of jazz, electronic, pop and R&B “Down” was featured on an Apple commercial, catapulting them to the top of the charts and cementing their position as the breakout hit of 2017. And the New York-based duo – made up of Jeremy Lloyd and vocalist Samantha Gongol – are now ready to hit the big-time. Retrieved June 13, 2017.There aren’t many people that can say that at one point they were the most Shazam’d band in America, but Marian Hill have just been casually making history. Recording Industry Association of America.
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^ Marian Hill "Down" Sheet Music in C Minor.In the end both faces anti gravity as the elevator goes down in a high speed as its rope is cut off. As the video goes on, both Samantha and Jeremy are shown changing elevators and walking via lobby. Next elevator comes with Samantha inside and Jeremy on the roof of elevator playing keyboard. Samantha sings her verse as the elevator keeps going down. The video starts with Samantha Gongol and Jeremy Lloyd inside an elevator with walls covered with pink flowers. The song later entered the top 40 of the chart and peaked at number 21, going on to spend 17 weeks on the chart Shortly after, the song entered the Billboard Hot 100 at number 99 before rising in the following weeks.
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"Down" debuted at number one on the Billboard Top TV Commercials chart in January 2017. It follows a chord progression of Cm–Bb–Ab–Gm. The song is written in the key of C minor with a tempo of 85 beats per minute.